Zhang Huan
Zhang Huan was born in 1965 at An Yang, in the province of Henan. He has studied Painting at the Beijing Fine Arts Academy. After a long stay in New York, he settled in Shanghai where he is living and working since 2005. At the beginning of his career, in the 90’s, he focused on performance art, using his own body, often naked, even submitting it to extreme conditions, as he did in 1994 in Beijing for the “12 m²” experience: having spread all over himself a mixture of fish oil and honey, he sat for hours in a public latrine, while insects were crawling over his body. Since his return to China, Zhang Huan mainly dedicated himself to installation, sculpture and painting. He also introduced a personal technique, using burnt incense residues from the Shanghai Buddhist temples to realize his famous ash-paintings and ash-sculptures. He has held exhibitions in major world museums, such as Carriageworks in Sydney, Pace Gallery and Storm King Art Center in New York. His works can be found in foremost collections, both private and public.







Graduate Show, Central Academy of Fine Art, Beijing, China


“Configura 2”, Erfurt, Germany


“Zhang Huan”, China Art Festival, Munich, Germany

“Art Material of China, Avant Garde”, Fukuoka, Tokyo, Japan


“Chinese Contemporary Art 1997”, Watari Museum, Tokyo, Japan


“Inside Out: New Chinese Art”, Asia Society of New York, Museum of Contemporary Art MoMA PS 1, Long Island City and Museum of Modern Art, San Francisco, California, USA

“In Your Face” (“Sulla tua faccia”), The Andy Warhol Museum, Pittsburgh, Pennsylvania, USA

He Nan University, Kai Feng, China


“Stories”, A/C Projects, New York, USA

“Summit”, Galerie 5020, Salzburg, Austria

“Art—Worlds in Dialogue”, Museum Ludwig, Cologne, Germany

“Risk Cinema”, Harn Museum of Art, Florida University, Gainesville, USA

“A Video Survey 1994—1998”, performance Art from China, Govett—Brewster Art Gallery, New Plymouth, New Zealand

Group Exhibition, 48th La Biennale di Venezia, Venice, Italy

“Zhang Huan”, The Kent and Vicki Logan Collection, Modern Art Museum of San Francisco, San Francisco, California, USA

“Contemporary Collectors”, Museum of Contemporary Art, San Diego, California, USA

“Transience: Chinese Art at the End of the Twentieth Century, The Smart Museum of Art, Chicago, Illinois, USA

“In Your Face” (“Sulla tua faccia”), New Langton Arts, San Francisco, California, USA

Works From 1994—1998, Max Protetch Gallery, New York, USA

Performance on Video, Artspace, Sydney, Australia and Auckland, New Zealand

“The Century of the Body: Photoworks 1900—2000“, Culturgest, Lisbon, Portugal and Musée de l’Élysée, Lausanne, Switzerland

“Last Paradise”, Presenca Galeria, Oporto, Portugal

“Self—Portrait”, Mercer Union, Centre for Contemporary Art, Toronto, Canada

“Five Continents and a City”, Second International Salon of Painting, Museum of Mexico City, Mexico City, Mexico

“Best of the Season”, Aldrich Museum of Contemporary Art, Rigefield, Connecticut, USA


“Epifanie. Actuele Kunst en Religie” (“Epiphany. Contemporary Art and Religion”), organised by S.M.A.K. Museum of Gent, Park Abbey, Heverlee, Belgium

“On the Edge of the Western World”, Yerba Buena Center of the Arts, San Francisco, California, USA

“Emotional Rescue” The Contemporary Art Project Collection, Center on Contemporary Art, Seattle, Washington, USA

“Utopia”, Stavanger Art Museum, Rogaland, Norway

“Betreff” (“Theme”), Expo 2000, Themenpark, Basic Needs, Hannover, Germany

“Waterfront — Cultural Bridge 2000”, Helsingborg Museum, Sweden—Denmark

“Sharing Exoticisms”, 5th Biennale de Lyon, Lyon, France

“The Standard Projection: 24/7”, The Standard Hotel, Los Angeles, California, USA

“Video via Venice,” Institute of Contemporary Art, Boston, Massachusetts, USA

“Socialisms”, Special Exhibition / Stockholm Art Fair, Sweden

“6 Signals: Video by Contemporary Artists”, Cheekwood, Nashville, Tennessee, USA

“Potent /Present: Selections from the Vicki and Kent Logan Collection”, CCAC — California College of the Arts, Oakland, California, USA

“Recent Acquisitions”, The Doron Sebbag Art Collection, Tel Aviv Museum of Art, Israel

“My America”, Deitch Projects, New York, USA

“Zhang Huan Survey”, Adam Gallery, Wellington, New Zealand

Cotthem Gallery, Belgium, and Barcelona, Spain


“Il Dono” (“The Gift”), Center of Contemporary Art, Siena, Italy

“Subject Plural: Crowds in Contemporary Art”, Contemporary Arts Museum, Houston, Texas, USA

“Metamorphosis and Cloning”, Museum of Contemporary Art in Montréal, Montréal, Canada

“Naked”, Wood Street Galleries, Pittsburgh, Pennsylvania, USA

“Lateral Thinking, Art of the 1990s”, Museum of Contemporary Art, San Diego, California, USA

“Yokohama 2001”, International Triennale of Contemporary Art, Pacific Yokohama, Japan

“Translated Acts”, Haus der Kulturen der Welt, Berlin, Germany, and Queens Museum of Art, New York, USA

Luhring Augustine Gallery, New York, USA

The Power Plant Contemporary Art Gallery, Toronto, Canada

Museo das Peregrinacions, Santiago de Compostela, Spain

Famliy Tree, Galerie Albert Benamou, Paris, France


“Skin Talks”, Musée de la Civilisation, Québec, Canada

“Attachment+”, Kunsthalle Lophem, Center for Contemporary Art, Loppem—Zedelgem, Belgium

“China Contemporary Art Exhibition” Red Continent, Gwangju Art Museum, South Korea

“Paisajes del Cuerpo” (“Body Landscapes”), Sala Zapateria 40, Pamplona, Spain

“La Mirada Ajena” (“Other People’s Look”), Basque Museum of Contemporary Art (Artium), Vitoria— Gasteiz, Spain

“SAM Collects”, Contemporary Art Projects, Seattle Art Museum, Seattle, Washington, USA

“The Gift, Generous Offerings, Threatening Hospitality”, The Bronx Museum of Art, New York, USA

“Subjectivity: Photographs of Themselves”, Arizona State University Art Museum, Arizona, USA

Group Exhibition at Whitney Biennial, Whitney Museum, New York, USA

Kunstverein in Hamburg, Hamburg, Germany


Bochum Museum, Bochum, Germany

Galerie Volker Diehl, Berlin, Germany

Nikolaj Copenhagen Contemporary Art Center, Copenhagen, Denmark

“Somewhere Better Than This Place”, The Contemporary Arts Center, Cincinnati, Ohio, USA


“Witness”, Museum of Contemporary Art, Sydney, Australia

“Regeneration, Contemporary Chinese Art from China and the US”, Samek Art Gallery, Bucknell University, Pennsylvania, USA

“Face/off”, The Pforzheim Association of Arts and Crafts, Pforzheim, Germany

“Dialogue with Pop”, The Tank, Spaceworks Gallery, New York, USA

“The Art Project Goetzen, Houses of an Idol”, Frankfurt am Oder, Germany / Slubice, Poland

“The Amazing and the Immutable”, University of South Florida Contemporary Art Museum, Florida, USA

“Supernova: Art of the 1990s from the Logan Collection”, San Francisco Museum of Modern Art, San Francisco, California, USA

“Between Past and Future: New Photography and Video from China”, International Center of Photography, New York, and Museum of Contemporary Art, Chicago, Illinois, USA

“Me, Myself & I”, University Galleries, Florida Atlantic University, Florida, USA

“Queens International 2004”, Queens Museum of Art, New York, USA

“Camera/Action: Performance and Photography”, The Museum of Contemporary Photography, Columbia College Chicago, Chicago, Illinois, USA

“Constructed Identities”, Ulrich Museum of Art, Wichita State University, Wichita, Kansas, USA

“Anthro/Socio, The: Artist: Network, New York, USA

“Seeds of Hamburg”, Norton Museum of Art, Florida, USA

La Fabrica Galeria, Madrid, Spain

Tri Postal, Lille 2004, Cultural Capital of Europe, Lille, France


“Acquisitions récentes – Oeuvres de 1960 à nos jours” (“New Presentation of Art Works from 1960 to the Present Day”), from the Museum Collections, Centre Pompidou, Paris, France

“Mahjong, Chinesische Gegenwartskunst aus der Sammlung Sigg” (“Mahjong, Contemporary Chinese Art from the Sigg Collection”), Kunstmuseum Bern, Bern, Switzerland

“Locus Loppem 2005”, Kunsthalle Lophem, Center for Contemporary Art, Loppem—Zedelgem, Belgium

“Between Skin and Orgasm —The Alchemistic Body”, Kunsthalle Lophem, Center for Contemporary Art, Loppem—Zedelgem, Belgium

“Monuments for the USA”, CCA Wattis Institute for Contemporary Arts, San Francisco, California, USA

“Hoch Hinaus” (“Higher Up”), Kunstmuseum Thun, Thun, Bern Oberland, Switzerland

“Text Me: An Exploration of Body Language”, Sherman Galleries, Sydney, Australia

“On the Edge: Contemporary Chinese Artists Encounter the West”, Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, California, USA

“Person of the Crowd”, The Contemporary (Museum) of Baltimore, Maryland, USA

“Future Face”, National Museum of Natural Science, Taichung, Taiwan

“The Wall, Reshaping Contemporary Chinese Art”, The China Millennium Monument Art Gallery, Beijing, China

“The Pictures of Dorian Gray”, Galeria de Arte Mexicano, Mexico City, Mexico

“Fusion: Aspects of Asian Culture in the MUSAC Collection”, Museum of Contemporary Art, León, Spain

“Seeds of Hamburg”, Museum of Fine Arts, Boston, Massachusetts, USA


“Shoot the Family”, Cranbrook Art Museum, Bloomfield Hills, Michigan, USA

“Making a Scene”, Haifa Museum of Art, Haifa, Israel

“Reverence”, Hudson Valley Center for Contemporary Art, New York, USA

“Fever Variations”, The 6th Gwangju Biennale 2006, Gwangju, South Korea

“Radar”, Selection from the Logan Collection, Denver Art Museum, Denver, Colorado, USA

“Drawing as Process in Contemporary Art”, Smart Museum of Art, University of Chicago, Chicago, Illinois, USA

Galerie Volker Diehl, Berlin, Germany

Sherman Galleries, Sydney, Australia


“All for Art! Great Collections Among Us”, The Montréal Museum of Fine Arts, Québec, Canada

“Photographies, nouvelles acquisitions 2003—2007” (“Photographies, New Acquisitions 2003—2007”), Centre Pompidou, Paris, France

“Multiplex: Directions in Art, 1970 to Now”, The Museum of Modern Art, New York, USA

“Exposed: Defining Moments in Photograph” from the MCA Collection, Museum of Contemporary Art, Chicago, Illinois, USA

“Zhù yi! Fotografía actual en China” (“Hey! Contemporary Photography from China”, Basque Museum of Contemporary Art (Artium), Vitoria— Gasteiz, Spain

“Altered States”, Asia Society, New York, USA

“Ash”, Haunch of Venison, London, United Kingdom

“Berlin Buddha”, Haunch of Venison, Berlin, Germany

“PHotoESPAÑA 2007”, Madrid, Spain

“Zhang Huan – Drawings”, Galerie Volker Diehl, Berlin, Germany

“Made in China”, Louisiana Museum of Modern Art, Copenhagen, Denmark

“Water”, The Israel Museum, Jerusalem, Israel

“Timer.01, Intimacy”, Triennale Bovisa 2007, Milan, Italy

“Voiceless: I feel therefore I am”, Sherman Galleries, Sydney, Australia

“Red Hot: Asian Art Today from the Chaney Family Collection”, Museum of Fine Arts, Houston, Texas, USA

“The Quiet Gesture, Recent Chinese Art”, The Newark Museum, Newark, New Jersey, USA

“Contemporary Combustion: Chinese Artists in America”, The New Britain Museum of American Art, New Britain, Connecticut, USA

“An Instinctive Eye: A Selection of Contemporary Photographs from the Sir Elton John Collection”, Pinchuk Art Centre, Kiev, Ukraine

“Grey Water”, Institute of Modern Art, Brisbane, Australia


“Body Language: Chinese Photography”, National Gallery of Victoria, Melbourne, Australia

“Half—Life of a Dream: Contemporary Chinese Art from the Collection of Kent and Vicki Logan”, San Francisco Museum of Modern Art, San Francisco, California, USA

“Person of the Crowd: The Contemporary Art of Flânerie”, Neuberger Museum of Art, New York, USA

“Avant—garde China, Twenty Years of Chinese Contemporary Art”, The National Art Center, Tokyo, Japan

“China gold, l'art contemporain chinois” “China gold, Contemporary Chinese Art”, Musée Maillol, Paris, France

“Skulkptur i Pilane” (“Sculpture at Pilane 2008”), Sculpure Park, island of Tjörn, Sweden

“Franko B/Zhang Huan: Posizione e Deposizione” (“Franko B/Zhang Huan: Position and Deposition”), dialogue between two performers, Pack Gallery, Milan, Italy

“Origins”, Hudson Valley Center for Contemporary Art, New York, USA

“Encounters”, Pace Beijing Gallery, Beijing, China

“Christian Dior & Chinese Artists”, Ullens Center for Contemporary Art, Beijing, China

“Meat After Meat Joy”, Daneyal Mahmood Gallery, New York, USA

“Meat After Meat Joy”, Pierre Menard Gallery, Cambridge, Massachusetts, USA

“Blessings”, PaceWildenstein, New York, USA

“Altered States”, Vancouver Art Gallery, Vancouver, Canada

“Paintings and Sculptures”, Diehl + Gallery One, Moscow, Russia

“Works from the Caspar H. Schubbe Collection”, DSV Gruppe, Stuttgart, Germany


“Neither Coming nor Going”, PaceWildensteinn, New York, USA

“The Buhl Collection: Speaking with Hands”, Daelim Contemporary Art Museum, Seoul, South Korea

“Action—Camera: Beijing Performance Photography”, Morris and Helen Belkin Art Gallery, The University of British Columbia, Vancouver, Canada

“Steellife”, The Milan Triennale di Milano and Marcegaglia Enterprises, Milan, Italy

“Yi Pai—Century Thinking”, Today Art Museum, Beijing, China

“The Social Critique 1993—2005”, Kalmar Konstmuseum, Kalmar, Sweden

“Re—View: 170 Years of Photography”, National Gallery of Victoria, Melbourne, Australia

“Beg, Borrow and Steal”, The Rubell Family Collection, Miami, Florida, USA

“100 Years, A Draft of a History”, PS1 Museum of Contemporary Art, New York, USA

“Semele”, Opera by G. F. Händel, as Director and Set Designer, Theatre Royal de La Monnaie | de Munt, Brussels, Belgium

“Neither Coming nor Going”, PaceWildenstein, New York, USA

“Zhu Gangqiang”, White Cube, London, United Kingdom

“Memory Doors”, Haunch of Venison, Zürich, Switzerland

“Rebirth”, ProjectB Contemporary Art, Milan, Italy


“Dawn of Time”, Shanghai Art Museum, Shanghai, China

“Amituofo” (Celestial Buddha), Museum of Contemporary Art Taipei, Taipei, Taiwan

“Ashman”, PAC Museum, Milan, Italy

“Free Tiger Returns to Mountains”, Pace Beijing, Beijing, China

“Hope Tunnel”, Ullens Center for Contemporary Art, Beijing, China

“Semele”, Opera by G. F. Händel, as Director and Set Designer, Poly Theatre, Beijing, China

“Out of the Ash”, Hakgojae Gallery, Seoul, South Korea

“Hope! Une exposition d'Art contemporain sur l'espoir”, Palais des Arts, Dinard, France

“Art for The World, The Sculpture Project of The Expo Boulevard”, World Expo 2010, Shanghai, China

“Haunted: Contemporary Photography/Video/Performance”, The Guggenheim Museum, New York, USA

“Arts and Cities”, Aichi Triennale 2010, Aichi, Japan

“La Route de la Soie /The Silk Road”, from the London Saatchi Gallery, Éspace pour l’Art Contemporain Tri Postal, Lille, France

“Photography from The New China”, J. Paul Getty Museum, Los Angeles, California, USA

“The Tiger in Asian Art”, Asia House, London, United Kingdom

“Negotiations”, Today Art Museum, Beijing, China

“The Naked Face: Self Portrait” National Gallery of Victoria, Melbourne, Australia

“Rehearsal”, 2010 Shanghai Biennale, Shanghai, China


“Peau” (“Skin”), Fondation Claude Verdan — Musée de la main, Lausanne, Switzerland

“About Identity”, Art Stations Foundation by Grażyna Kulczyk, Poznań, Poland

“Il mondo vi appartiene” (The World Belongs to You”), Palazzo Grassi, Francois Pinault Foundation, Venice, Italy

“Living”, Louisiana Museum of Modern Art, Copenhagen, Denmark

“Glasstress 2011”, organised by Venice Projects and The Museum of Arts and Design (MAD), New York, Biennale collateral event, Venice, Italy

“Big brother, l’artiste face aux tyrans” (“Big Brother, the Artist Facing Tyrants”), Palais des Arts, Dinard, France

“Q Confucius”, Rockbund Art Museum, Shanghai, China

“49 Days”, Blum & Poe Gallery, Los Angeles, California, USA

“East Wind, West Wind”, Espace Louis Vuitton Macao, Macao

“Aura of Disappearance”, Edouard Malinque Gallery, in Cooperation with The Pace Gallery, Hong Kong, China

“Ash Banquet”, ProjectB Gallery, Milan, Italy


“Transforming Minds: Buddhism in Art”, Asia Society Hong Kong Center, Hong Kong

“Face”, Minsheng Art Museum, Shanghai, China

“Visible/Invisible”, Italy Pavilion, Shanghai, China

“Sculpture at Pilane 2012”, Tjorn, Sweden

Fourth Watou Arts Festival, Watou, Belgium

“Omen 2012 — Chinese New Art”, Shanghai Art Museum, Shanghai, China

“Electric Fields—Surrealism and Beyond”, The Collection from Centre Pompidou, Power Station of Art, Shanghai, China

“SuperBodies”, 2012 Hasselt Triennal of Art, Hasselt, Belgium

“Swept Away: Dust, Ashes and Dirt in Contemporary Art and Design”, Museum of Arts and Design, New York, USA

“The Mountain is Still a Mountain”, White Cube, London, UK

“Jin Hui Dui”, Gallery 100, Taipei, Taiwan

“Ash Paintings and Memory Doors”, Art Gallery of Ontario, Toronto, Canada

“Semele”, Opera by G.F. Händel, as Director and Set Designer, Four Seasons Centre for the Performing Arts, Toronto, Canada


“Disaster”, Galerie Thaddaeus Ropac, Paris, France

“Through the Eyes of Texas: Masterworks from Alumni Collections”, Blanton Museum of Art, The University of Texas, Texas, USA

“The Collectors’ Show: Weight of History”, Singapore Art Museum, Singapore

“China, China”, Pinchuk Art Center, Kiev, Ukraine

“Soul and Matter”, Palazzo Vecchio and Forte di Belvedere, Florence, Italy

“Culture — Mind — Becoming”, Collateral Event of Chinese Art at the 55th Venice Art Biennale 2013, Palazzo Mora, Venice, Italy

“The Red Queen”, The Museum of Old and New Art, Hobart, Australia

“Ink Art: Past as Present in Contemporary China”, The Metropolitan Museum of Art, New York, USA

“Portrait of The Times: 30 Years of Chinese Contemporary Art”, Power Station of Art, Shanghai, China

“28 Chinese”, Rubell Family Collection, Miami, Florida, USA

“Three Perfections”, National Gallery of Victoria, Melbourne, Australia

“BhAsia: Asia Occupies the City”, Liberty Square, Belo Horizonte, Brasil

“Poppy Fields”, Pace Gallery, New York, USA

“Looking East, Facing West: The World of Zhang Huan”, Frederik Meijer Gardens & Sculpture Park, Grand Rapids, Michigan, USA


“Onde é a China? / Where is China?” Museum of the Orient, Lisbon, Portugal; World Art Museum, China Millennium Monument, Beijing, China

“Secret Signs, Zeitgenössische Chinesische Kunst im Namen der Schrift” (“Secret Signs, Calligraphy in Chinese Contemporary Art”), in Collaboration with the Sigg Collection and the M+, Hong Kong, Deichtorhallen, Hamburg, Germany

“Typology, Taxonomy and Seriality: Photography from the Walther Collection”, Espace Van Gogh, Arles, France

”Sweet Dew — Since 1980”, Special Project for the 20th Anniversary of Gwangju Biennale, Gwangju Museum of Art, Gwangju, South Korea

“Evoking Tradition”, Storm King Art Center, New York, USA

“Spring Poppy Fields”, Pace Gallery, London, United Kingdom

“Zhang Huan”, Retrospective Exhibition, Chesa Büsin, Zuoz, Switzerland

“Art Lovers”, from Pinault Collection, Grimaldi Forum Monaco, Monaco

“Utopian Days—Freedom”, Total Museum of Contemporary Art, Seoul, South Korea

“Myth/History: YUZ Collection of Contemporary Art”, YUZ Museum Shanghai, Shanghai, China

“Une Histoire. Art, architecture, design des années 1980 à nos jours” “A Story. Art, Architecture, Design since the ‘80s to Present Days””, Musée National d’Art Moderne, Centre Georges Pompidou, Paris, France

“Collection De Heus—Zomer: Chinese Art”, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands


“Let There Be Light”, Pace Gallery, New York, USA

“Sydney Buddha”, Carriageworks, Sydney, Australia

“Semele”, Opera by G.F. Händel, as Director and Set Designer, Brooklyn Academy of Music, New York, USA

“Zhang Huan. My Temple”, Kunstprojekt Krauthügel, Salzburg Foundation, Salzburg, Austria

“Contemporary Chinese Photography”, The Cleveland Museum of Art, Ohio, USA

“Go East: The Gene & Brian Sherman Contemporary Asian Collection”, The Art Gallery of New South Wales, Sydney, Australia

“The Wondrous All: Leading Edge of Eastern Thought”, Taipei Fine Art Museum, Taipei, Taiwan

“Myth/History II: Shanghai Galaxy”, YUZ Museum Shanghai, Shanghai, China

“CHINA 8—Contemporary Art from China on the Rhine and Ruhr”, Duisburg, Germany

“2015 Biennale China—Italia”, Mastio della Cittadella, Turin, Italy

“28 Chinese”, Rubell Family Collection, Asian Art Museum, San Francisco, California, USA

“15 Rooms”, Long Museum, Shanghai, China

“Shanghai Urban Space Art Season”, Art West Bund, Shanghai, China

“Conceal/Reveal: Making Meaning in Chinese Art”, Seattle Art Museum, Seattle, Washington, USA

“Magie der Zeichen — 3000 Jahre chinesische Schriftkunst” (“The Magic of Characters — 3000 Years of Chinese Calligraphy”), Museum Rietberg, Zurich, Switzerland


“Entre Turbulences et Mutations — L’Art Contemporain dans la Chine d’Aujourd’hui“ (“Between Turbulence and Transformations – Contemporary Art in Today’s China”), Fondation Louis Vuitton, Paris, France

“Takashi Murakami’s Superflat Collection”, Yokohama Art Museum, Yokohama, Japan

“M+ Sigg Collection: Four Decades of Chinese Contemporary Art”, Artis Tree, Hong Kong, China

“2016 Busan Biennale”, Busan Museum of Art, Busan, South Korea

“TOC: Una colección propia. Obsesividad compulsiva e imagen contemporánea en las Colecciones del MUSAC y el DA2OCD” (“A Collection of One’s Own”, compulsive obsession in the MUSAC and DA2OCD Collections), Castile—Leon Museum of Contemporary Art, Leon, Spain

“Contemporary China”, National Gallery of Australia, Canberra, Australia

“Force of Stillness: Embodying Meditation in Creative Practice”, Rubin Museum of Art, New York, USA

“Envisions: Sculptures @ the Garden City”, Asian Civilisations Museum, Clifford Square, Singapore


“What Does It Mean to Be Universal?” Louvre Abu Dhabi Museum, Abu Dhabi, The United Arab Emirates

“The New Frontiers of Painting”, Stelline Foundation, Milan, Italy

“Luther and the Avant—garde”, Wittenberg Old Prison, Wittenberg, Germany

“Chinese Summer”, Astrup Fearnley Museet, Oslo, Norway

“Art and China after 1989: Theater of the World”, Solomon R. Guggenheim Museum, New York, USA

“Seeking Spirituality in Contemporary Art”, The Nelson—Atkins Museum of Art, Kansas City, Missouri, USA

“Chinese Dreams”, Bakalar & Paine Galleries, Massachusetts College of Art and Design, Boston, USA

“La Balade pour la Paix”, an Open—air Museum, Montreal Museum of Fine Arts, Montreal, Canada


“Zhang Huan in Florence”, Tethys Gallery, Florence, Italy

“Awakening: Art in Society in Asia, 1960s—1990s”, The National Museum of Modern Art, Tokyo, Japan

“Shanghai Beat: The Dynamism of Contemporary Art Scene in Shanghai”, Contemporary Art Museum Kumamoto, Kumamoto, Japan

“How to See [What Isn't There]”, Langen Foundation, Neuss, Germany

“Art and China after 1989: Theater of the World”, San Francisco Museum of Modern Art, San Francisco, California, USA

“La No Comunidad” (“The Non—community”), CentroCentro, Madrid, Spain

“Art and China after 1989: Theater of the World”, Guggenheim Museum Bilbao, Bilbao, Spain

“Land: Zhang Huan and Li Binyuan”, MoMA PS1, New York, USA

“Life & Dreams: Photography & Media Art in China since the 1990s”, The Walther Collection Foundation, Neu—Ulm, Germany

“Fifty Years of Collecting Photographs”, The National Gallery of Canada, Ottawa, Canada


“Conversations: Contemporary Asian Art”, Hermitage Museum & Gardens, Virginia, USA

“Face it! In Monologue with the Other”, Kunstmuseum Ravensburg, Ravensburg, Germany

“Driving Forces: Contemporary Art from the Collection of Ann and Ron Pizzuti”, Columbus Museum of Art, Columbus, Ohio, USA

“The Last Supper”, Faena Art Festival, Miami, Florida, USA

“The Allure of Matter: Material Art from China”, Los Angeles County Museum of Art, Los Angeles, California, USA

“Bodies of Knowledge”, New Orleans Museum of Art, New Orleans, Louisiana, USA


“In the Ashes of History” The State Hermitage Museum, St. Petersburg, Russia

“La Rivoluzione siamo Noi — Collezionismo Italiano Contemporaneo” (“We are the Revolution: Italian Contemporary Collections”), Spazio XNL, Piacenza, Italy

“22nd Edition of the Pino Pascali Award — Zhang Huan: 55 love”, Pino Pascali Foundation, Polignano a Mare, Italy