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1993

  • Graduate Show, Central Academy of Fine Art, Beijing, China

1995

  • “Configura 2”, Erfurt, Germany

1996

  • “Zhang Huan”, China Art Festival, Munich, Germany
  • “Art Material of China, Avant Garde”, Fukuoka, Tokyo, Japan

1997

  • “Chinese Contemporary Art 1997”, Watari Museum, Tokyo, Japan

1998

  • “Inside Out: New Chinese Art”, Asia Society of New York, Museum of Contemporary Art MoMA PS 1, Long Island City and Museum of Modern Art, San Francisco, California, USA
  • “In Your Face” (“Sulla tua faccia”), The Andy Warhol Museum, Pittsburgh, Pennsylvania, USA
  • He Nan University, Kai Feng, China

1999

  • “Stories”, A/C Projects, New York, USA
  • “Summit”, Galerie 5020, Salzburg, Austria
  • “Art—Worlds in Dialogue”, Museum Ludwig, Cologne, Germany
  • “Risk Cinema”, Harn Museum of Art, Florida University, Gainesville, USA
  • “A Video Survey 1994—1998”, performance Art from China, Govett—Brewster Art Gallery, New Plymouth, New Zealand
  • Group Exhibition, 48th La Biennale di Venezia, Venice, Italy
  • “Zhang Huan”, The Kent and Vicki Logan Collection, Modern Art Museum of San Francisco, San Francisco, California, USA
  • “Contemporary Collectors”, Museum of Contemporary Art, San Diego, California, USA
  • “Transience: Chinese Art at the End of the Twentieth Century, The Smart Museum of Art, Chicago, Illinois, USA
  • “In Your Face” (“Sulla tua faccia”), New Langton Arts, San Francisco, California, USA
  • Works From 1994—1998, Max Protetch Gallery, New York, USA
  • Performance on Video, Artspace, Sydney, Australia and Auckland, New Zealand
  • “The Century of the Body: Photoworks 1900—2000“, Culturgest, Lisbon, Portugal and Musée de l’Élysée, Lausanne, Switzerland
  • “Last Paradise”, Presenca Galeria, Oporto, Portugal
  • “Self—Portrait”, Mercer Union, Centre for Contemporary Art, Toronto, Canada
  • “Five Continents and a City”, Second International Salon of Painting, Museum of Mexico City, Mexico City, Mexico
  • “Best of the Season”, Aldrich Museum of Contemporary Art, Rigefield, Connecticut, USA

2000

  • “Epifanie. Actuele Kunst en Religie” (“Epiphany. Contemporary Art and Religion”), organised by S.M.A.K. Museum of Gent, Park Abbey, Heverlee, Belgium
  • “On the Edge of the Western World”, Yerba Buena Center of the Arts, San Francisco, California, USA
  • “Emotional Rescue” The Contemporary Art Project Collection, Center on Contemporary Art, Seattle, Washington, USA
  • “Utopia”, Stavanger Art Museum, Rogaland, Norway
  • “Betreff” (“Theme”), Expo 2000, Themenpark, Basic Needs, Hannover, Germany
  • “Waterfront — Cultural Bridge 2000”, Helsingborg Museum, Sweden—Denmark
  • “Sharing Exoticisms”, 5th Biennale de Lyon, Lyon, France
  • “The Standard Projection: 24/7”, The Standard Hotel, Los Angeles, California, USA
  • “Video via Venice,” Institute of Contemporary Art, Boston, Massachusetts, USA
  • “Socialisms”, Special Exhibition / Stockholm Art Fair, Sweden
  • “6 Signals: Video by Contemporary Artists”, Cheekwood, Nashville, Tennessee, USA
  • “Potent /Present: Selections from the Vicki and Kent Logan Collection”, CCAC — California College of the Arts, Oakland, California, USA
  • “Recent Acquisitions”, The Doron Sebbag Art Collection, Tel Aviv Museum of Art, Israel
  • “My America”, Deitch Projects, New York, USA
  • “Zhang Huan Survey”, Adam Gallery, Wellington, New Zealand
  • Cotthem Gallery, Belgium, and Barcelona, Spain

2001

  • “Il Dono” (“The Gift”), Center of Contemporary Art, Siena, Italy
  • “Subject Plural: Crowds in Contemporary Art”, Contemporary Arts Museum, Houston, Texas, USA
  • “Metamorphosis and Cloning”, Museum of Contemporary Art in Montréal, Montréal, Canada
  • “Naked”, Wood Street Galleries, Pittsburgh, Pennsylvania, USA
  • “Lateral Thinking, Art of the 1990s”, Museum of Contemporary Art, San Diego, California, USA
  • “Yokohama 2001”, International Triennale of Contemporary Art, Pacific Yokohama, Japan
  • “Translated Acts”, Haus der Kulturen der Welt, Berlin, Germany, and Queens Museum of Art, New York, USA
  • Luhring Augustine Gallery, New York, USA
  • The Power Plant Contemporary Art Gallery, Toronto, Canada
  • Museo das Peregrinacions, Santiago de Compostela, Spain
  • Famliy Tree, Galerie Albert Benamou, Paris, France

2002

  • “Skin Talks”, Musée de la Civilisation, Québec, Canada
  • “Attachment+”, Kunsthalle Lophem, Center for Contemporary Art, Loppem—Zedelgem, Belgium
  • “China Contemporary Art Exhibition” Red Continent, Gwangju Art Museum, South Korea
  • “Paisajes del Cuerpo” (“Body Landscapes”), Sala Zapateria 40, Pamplona, Spain
  • “La Mirada Ajena” (“Other People’s Look”), Basque Museum of Contemporary Art (Artium), Vitoria— Gasteiz, Spain
  • “SAM Collects”, Contemporary Art Projects, Seattle Art Museum, Seattle, Washington, USA
  • “The Gift, Generous Offerings, Threatening Hospitality”, The Bronx Museum of Art, New York, USA
  • “Subjectivity: Photographs of Themselves”, Arizona State University Art Museum, Arizona, USA
  • Group Exhibition at Whitney Biennial, Whitney Museum, New York, USA
  • Kunstverein in Hamburg, Hamburg, Germany

2003

  • Bochum Museum, Bochum, Germany
  • Galerie Volker Diehl, Berlin, Germany
  • Nikolaj Copenhagen Contemporary Art Center, Copenhagen, Denmark
  • “Somewhere Better Than This Place”, The Contemporary Arts Center, Cincinnati, Ohio, USA

2004

  • “Witness”, Museum of Contemporary Art, Sydney, Australia
  • “Regeneration, Contemporary Chinese Art from China and the US”, Samek Art Gallery, Bucknell University, Pennsylvania, USA
  • “Face/off”, The Pforzheim Association of Arts and Crafts, Pforzheim, Germany
  • “Dialogue with Pop”, The Tank, Spaceworks Gallery, New York, USA
  • “The Art Project Goetzen, Houses of an Idol”, Frankfurt am Oder, Germany / Slubice, Poland
  • “The Amazing and the Immutable”, University of South Florida Contemporary Art Museum, Florida, USA
  • “Supernova: Art of the 1990s from the Logan Collection”, San Francisco Museum of Modern Art, San Francisco, California, USA
  • “Between Past and Future: New Photography and Video from China”, International Center of Photography, New York, and Museum of Contemporary Art, Chicago, Illinois, USA
  • “Me, Myself & I”, University Galleries, Florida Atlantic University, Florida, USA
  • “Queens International 2004”, Queens Museum of Art, New York, USA
  • “Camera/Action: Performance and Photography”, The Museum of Contemporary Photography, Columbia College Chicago, Chicago, Illinois, USA
  • “Constructed Identities”, Ulrich Museum of Art, Wichita State University, Wichita, Kansas, USA
  • “Anthro/Socio, The: Artist: Network, New York, USA
  • “Seeds of Hamburg”, Norton Museum of Art, Florida, USA
  • La Fabrica Galeria, Madrid, Spain
  • Tri Postal, Lille 2004, Cultural Capital of Europe, Lille, France

2005

  • “Acquisitions récentes – Oeuvres de 1960 à nos jours” (“New Presentation of Art Works from 1960 to the Present Day”), from the Museum Collections, Centre Pompidou, Paris, France
  • “Mahjong, Chinesische Gegenwartskunst aus der Sammlung Sigg” (“Mahjong, Contemporary Chinese Art from the Sigg Collection”), Kunstmuseum Bern, Bern, Switzerland
  • “Locus Loppem 2005”, Kunsthalle Lophem, Center for Contemporary Art, Loppem—Zedelgem, Belgium
  • “Between Skin and Orgasm —The Alchemistic Body”, Kunsthalle Lophem, Center for Contemporary Art, Loppem—Zedelgem, Belgium
  • “Monuments for the USA”, CCA Wattis Institute for Contemporary Arts, San Francisco, California, USA
  • “Hoch Hinaus” (“Higher Up”), Kunstmuseum Thun, Thun, Bern Oberland, Switzerland
  • “Text Me: An Exploration of Body Language”, Sherman Galleries, Sydney, Australia
  • “On the Edge: Contemporary Chinese Artists Encounter the West”, Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, California, USA
  • “Person of the Crowd”, The Contemporary (Museum) of Baltimore, Maryland, USA
  • “Future Face”, National Museum of Natural Science, Taichung, Taiwan
  • “The Wall, Reshaping Contemporary Chinese Art”, The China Millennium Monument Art Gallery, Beijing, China
  • “The Pictures of Dorian Gray”, Galeria de Arte Mexicano, Mexico City, Mexico
  • “Fusion: Aspects of Asian Culture in the MUSAC Collection”, Museum of Contemporary Art, León, Spain
  • “Seeds of Hamburg”, Museum of Fine Arts, Boston, Massachusetts, USA

2006

  • “Shoot the Family”, Cranbrook Art Museum, Bloomfield Hills, Michigan, USA
  • “Making a Scene”, Haifa Museum of Art, Haifa, Israel
  • “Reverence”, Hudson Valley Center for Contemporary Art, New York, USA
  • “Fever Variations”, The 6th Gwangju Biennale 2006, Gwangju, South Korea
  • “Radar”, Selection from the Logan Collection, Denver Art Museum, Denver, Colorado, USA
  • “Drawing as Process in Contemporary Art”, Smart Museum of Art, University of Chicago, Chicago, Illinois, USA
  • Galerie Volker Diehl, Berlin, Germany
  • Sherman Galleries, Sydney, Australia

2007

  • “All for Art! Great Collections Among Us”, The Montréal Museum of Fine Arts, Québec, Canada
  • “Photographies, nouvelles acquisitions 2003—2007” (“Photographies, New Acquisitions 2003—2007”), Centre Pompidou, Paris, France
  • “Multiplex: Directions in Art, 1970 to Now”, The Museum of Modern Art, New York, USA
  • “Exposed: Defining Moments in Photograph” from the MCA Collection, Museum of Contemporary Art, Chicago, Illinois, USA
  • “Zhù yi! Fotografía actual en China” (“Hey! Contemporary Photography from China”, Basque Museum of Contemporary Art (Artium), Vitoria— Gasteiz, Spain
  • “Altered States”, Asia Society, New York, USA
  • “Ash”, Haunch of Venison, London, United Kingdom
  • “Berlin Buddha”, Haunch of Venison, Berlin, Germany
  • “PHotoESPAÑA 2007”, Madrid, Spain
  • “Zhang Huan – Drawings”, Galerie Volker Diehl, Berlin, Germany
  • “Made in China”, Louisiana Museum of Modern Art, Copenhagen, Denmark
  • “Water”, The Israel Museum, Jerusalem, Israel
  • “Timer.01, Intimacy”, Triennale Bovisa 2007, Milan, Italy
  • “Voiceless: I feel therefore I am”, Sherman Galleries, Sydney, Australia
  • “Red Hot: Asian Art Today from the Chaney Family Collection”, Museum of Fine Arts, Houston, Texas, USA
  • “The Quiet Gesture, Recent Chinese Art”, The Newark Museum, Newark, New Jersey, USA
  • “Contemporary Combustion: Chinese Artists in America”, The New Britain Museum of American Art, New Britain, Connecticut, USA
  • “An Instinctive Eye: A Selection of Contemporary Photographs from the Sir Elton John Collection”, Pinchuk Art Centre, Kiev, Ukraine
  • “Grey Water”, Institute of Modern Art, Brisbane, Australia

2008

  • “Body Language: Chinese Photography”, National Gallery of Victoria, Melbourne, Australia
  • “Half—Life of a Dream: Contemporary Chinese Art from the Collection of Kent and Vicki Logan”, San Francisco Museum of Modern Art, San Francisco, California, USA
  • “Person of the Crowd: The Contemporary Art of Flânerie”, Neuberger Museum of Art, New York, USA
  • “Avant—garde China, Twenty Years of Chinese Contemporary Art”, The National Art Center, Tokyo, Japan
  • “China gold, l'art contemporain chinois” “China gold, Contemporary Chinese Art”, Musée Maillol, Paris, France
  • “Skulkptur i Pilane” (“Sculpture at Pilane 2008”), Sculpure Park, island of Tjörn, Sweden
  • “Franko B/Zhang Huan: Posizione e Deposizione” (“Franko B/Zhang Huan: Position and Deposition”), dialogue between two performers, Pack Gallery, Milan, Italy
  • “Origins”, Hudson Valley Center for Contemporary Art, New York, USA
  • “Encounters”, Pace Beijing Gallery, Beijing, China
  • “Christian Dior & Chinese Artists”, Ullens Center for Contemporary Art, Beijing, China
  • “Meat After Meat Joy”, Daneyal Mahmood Gallery, New York, USA
  • “Meat After Meat Joy”, Pierre Menard Gallery, Cambridge, Massachusetts, USA
  • “Blessings”, PaceWildenstein, New York, USA
  • “Altered States”, Vancouver Art Gallery, Vancouver, Canada
  • “Paintings and Sculptures”, Diehl + Gallery One, Moscow, Russia
  • “Works from the Caspar H. Schubbe Collection”, DSV Gruppe, Stuttgart, Germany

2009

  • “Neither Coming nor Going”, PaceWildensteinn, New York, USA
  • “The Buhl Collection: Speaking with Hands”, Daelim Contemporary Art Museum, Seoul, South Korea
  • “Action—Camera: Beijing Performance Photography”, Morris and Helen Belkin Art Gallery, The University of British Columbia, Vancouver, Canada
  • “Steellife”, The Milan Triennale di Milano and Marcegaglia Enterprises, Milan, Italy
  • “Yi Pai—Century Thinking”, Today Art Museum, Beijing, China
  • “The Social Critique 1993—2005”, Kalmar Konstmuseum, Kalmar, Sweden
  • “Re—View: 170 Years of Photography”, National Gallery of Victoria, Melbourne, Australia
  • “Beg, Borrow and Steal”, The Rubell Family Collection, Miami, Florida, USA
  • “100 Years, A Draft of a History”, PS1 Museum of Contemporary Art, New York, USA
  • “Semele”, Opera by G. F. Händel, as Director and Set Designer, Theatre Royal de La Monnaie | de Munt, Brussels, Belgium
  • “Neither Coming nor Going”, PaceWildenstein, New York, USA
  • “Zhu Gangqiang”, White Cube, London, United Kingdom
  • “Memory Doors”, Haunch of Venison, Zürich, Switzerland
  • “Rebirth”, ProjectB Contemporary Art, Milan, Italy

2010

  • “Dawn of Time”, Shanghai Art Museum, Shanghai, China
  • “Amituofo” (Celestial Buddha), Museum of Contemporary Art Taipei, Taipei, Taiwan
  • “Ashman”, PAC Museum, Milan, Italy
  • “Free Tiger Returns to Mountains”, Pace Beijing, Beijing, China
  • “Hope Tunnel”, Ullens Center for Contemporary Art, Beijing, China
  • “Semele”, Opera by G. F. Händel, as Director and Set Designer, Poly Theatre, Beijing, China
  • “Out of the Ash”, Hakgojae Gallery, Seoul, South Korea
  • “Hope! Une exposition d'Art contemporain sur l'espoir”, Palais des Arts, Dinard, France
  • “Art for The World, The Sculpture Project of The Expo Boulevard”, World Expo 2010, Shanghai, China
  • “Haunted: Contemporary Photography/Video/Performance”, The Guggenheim Museum, New York, USA
  • “Arts and Cities”, Aichi Triennale 2010, Aichi, Japan
  • “La Route de la Soie /The Silk Road”, from the London Saatchi Gallery, Éspace pour l’Art Contemporain Tri Postal, Lille, France
  • “Photography from The New China”, J. Paul Getty Museum, Los Angeles, California, USA
  • “The Tiger in Asian Art”, Asia House, London, United Kingdom
  • “Negotiations”, Today Art Museum, Beijing, China
  • “The Naked Face: Self Portrait” National Gallery of Victoria, Melbourne, Australia
  • “Rehearsal”, 2010 Shanghai Biennale, Shanghai, China

2011

  • “Peau” (“Skin”), Fondation Claude Verdan — Musée de la main, Lausanne, Switzerland
  • “About Identity”, Art Stations Foundation by Grażyna Kulczyk, Poznań, Poland
  • “Il mondo vi appartiene” (The World Belongs to You”), Palazzo Grassi, Francois Pinault Foundation, Venice, Italy
  • “Living”, Louisiana Museum of Modern Art, Copenhagen, Denmark
  • “Glasstress 2011”, organised by Venice Projects and The Museum of Arts and Design (MAD), New York, Biennale collateral event, Venice, Italy
  • “Big brother, l’artiste face aux tyrans” (“Big Brother, the Artist Facing Tyrants”), Palais des Arts, Dinard, France
  • “Q Confucius”, Rockbund Art Museum, Shanghai, China
  • “49 Days”, Blum & Poe Gallery, Los Angeles, California, USA
  • “East Wind, West Wind”, Espace Louis Vuitton Macao, Macao
  • “Aura of Disappearance”, Edouard Malinque Gallery, in Cooperation with The Pace Gallery, Hong Kong, China
  • “Ash Banquet”, ProjectB Gallery, Milan, Italy

2012

  • “Transforming Minds: Buddhism in Art”, Asia Society Hong Kong Center, Hong Kong
  • “Face”, Minsheng Art Museum, Shanghai, China
  • “Visible/Invisible”, Italy Pavilion, Shanghai, China
  • “Sculpture at Pilane 2012”, Tjorn, Sweden
  • Fourth Watou Arts Festival, Watou, Belgium
  • “Omen 2012 — Chinese New Art”, Shanghai Art Museum, Shanghai, China
  • “Electric Fields—Surrealism and Beyond”, The Collection from Centre Pompidou, Power Station of Art, Shanghai, China
  • “SuperBodies”, 2012 Hasselt Triennal of Art, Hasselt, Belgium
  • “Swept Away: Dust, Ashes and Dirt in Contemporary Art and Design”, Museum of Arts and Design, New York, USA
  • “The Mountain is Still a Mountain”, White Cube, London, UK
  • “Jin Hui Dui”, Gallery 100, Taipei, Taiwan
  • “Ash Paintings and Memory Doors”, Art Gallery of Ontario, Toronto, Canada
  • “Semele”, Opera by G.F. Händel, as Director and Set Designer, Four Seasons Centre for the Performing Arts, Toronto, Canada

2013

  • “Disaster”, Galerie Thaddaeus Ropac, Paris, France
  • “Through the Eyes of Texas: Masterworks from Alumni Collections”, Blanton Museum of Art, The University of Texas, Texas, USA
  • “The Collectors’ Show: Weight of History”, Singapore Art Museum, Singapore
  • “China, China”, Pinchuk Art Center, Kiev, Ukraine
  • “Soul and Matter”, Palazzo Vecchio and Forte di Belvedere, Florence, Italy
  • “Culture — Mind — Becoming”, Collateral Event of Chinese Art at the 55th Venice Art Biennale 2013, Palazzo Mora, Venice, Italy
  • “The Red Queen”, The Museum of Old and New Art, Hobart, Australia
  • “Ink Art: Past as Present in Contemporary China”, The Metropolitan Museum of Art, New York, USA
  • “Portrait of The Times: 30 Years of Chinese Contemporary Art”, Power Station of Art, Shanghai, China
  • “28 Chinese”, Rubell Family Collection, Miami, Florida, USA
  • “Three Perfections”, National Gallery of Victoria, Melbourne, Australia
  • “BhAsia: Asia Occupies the City”, Liberty Square, Belo Horizonte, Brasil
  • “Poppy Fields”, Pace Gallery, New York, USA
  • “Looking East, Facing West: The World of Zhang Huan”, Frederik Meijer Gardens & Sculpture Park, Grand Rapids, Michigan, USA

2014

  • “Onde é a China? / Where is China?” Museum of the Orient, Lisbon, Portugal; World Art Museum, China Millennium Monument, Beijing, China
  • “Secret Signs, Zeitgenössische Chinesische Kunst im Namen der Schrift” (“Secret Signs, Calligraphy in Chinese Contemporary Art”), in Collaboration with the Sigg Collection and the M+, Hong Kong, Deichtorhallen, Hamburg, Germany
  • “Typology, Taxonomy and Seriality: Photography from the Walther Collection”, Espace Van Gogh, Arles, France
  • ”Sweet Dew — Since 1980”, Special Project for the 20th Anniversary of Gwangju Biennale, Gwangju Museum of Art, Gwangju, South Korea
  • “Evoking Tradition”, Storm King Art Center, New York, USA
  • “Spring Poppy Fields”, Pace Gallery, London, United Kingdom
  • “Zhang Huan”, Retrospective Exhibition, Chesa Büsin, Zuoz, Switzerland
  • “Art Lovers”, from Pinault Collection, Grimaldi Forum Monaco, Monaco
  • “Utopian Days—Freedom”, Total Museum of Contemporary Art, Seoul, South Korea
  • “Myth/History: YUZ Collection of Contemporary Art”, YUZ Museum Shanghai, Shanghai, China
  • “Une Histoire. Art, architecture, design des années 1980 à nos jours” “A Story. Art, Architecture, Design since the ‘80s to Present Days””, Musée National d’Art Moderne, Centre Georges Pompidou, Paris, France
  • “Collection De Heus—Zomer: Chinese Art”, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands

2015

  • “Let There Be Light”, Pace Gallery, New York, USA
  • “Sydney Buddha”, Carriageworks, Sydney, Australia
  • “Semele”, Opera by G.F. Händel, as Director and Set Designer, Brooklyn Academy of Music, New York, USA
  • “Zhang Huan. My Temple”, Kunstprojekt Krauthügel, Salzburg Foundation, Salzburg, Austria
  • “Contemporary Chinese Photography”, The Cleveland Museum of Art, Ohio, USA
  • “Go East: The Gene & Brian Sherman Contemporary Asian Collection”, The Art Gallery of New South Wales, Sydney, Australia
  • “The Wondrous All: Leading Edge of Eastern Thought”, Taipei Fine Art Museum, Taipei, Taiwan
  • “Myth/History II: Shanghai Galaxy”, YUZ Museum Shanghai, Shanghai, China
  • “CHINA 8—Contemporary Art from China on the Rhine and Ruhr”, Duisburg, Germany
  • “2015 Biennale China—Italia”, Mastio della Cittadella, Turin, Italy
  • “28 Chinese”, Rubell Family Collection, Asian Art Museum, San Francisco, California, USA
  • “15 Rooms”, Long Museum, Shanghai, China
  • “Shanghai Urban Space Art Season”, Art West Bund, Shanghai, China
  • “Conceal/Reveal: Making Meaning in Chinese Art”, Seattle Art Museum, Seattle, Washington, USA
  • “Magie der Zeichen — 3000 Jahre chinesische Schriftkunst” (“The Magic of Characters — 3000 Years of Chinese Calligraphy”), Museum Rietberg, Zurich, Switzerland

2016

  • “Entre Turbulences et Mutations — L’Art Contemporain dans la Chine d’Aujourd’hui“ (“Between Turbulence and Transformations – Contemporary Art in Today’s China”), Fondation Louis Vuitton, Paris, France
  • “Takashi Murakami’s Superflat Collection”, Yokohama Art Museum, Yokohama, Japan
  • “M+ Sigg Collection: Four Decades of Chinese Contemporary Art”, Artis Tree, Hong Kong, China
  • “2016 Busan Biennale”, Busan Museum of Art, Busan, South Korea
  • “TOC: Una colección propia. Obsesividad compulsiva e imagen contemporánea en las Colecciones del MUSAC y el DA2OCD” (“A Collection of One’s Own”, compulsive obsession in the MUSAC and DA2OCD Collections), Castile—Leon Museum of Contemporary Art, Leon, Spain
  • “Contemporary China”, National Gallery of Australia, Canberra, Australia
  • “Force of Stillness: Embodying Meditation in Creative Practice”, Rubin Museum of Art, New York, USA
  • “Envisions: Sculptures @ the Garden City”, Asian Civilisations Museum, Clifford Square, Singapore

2017

  • “What Does It Mean to Be Universal?” Louvre Abu Dhabi Museum, Abu Dhabi, The United Arab Emirates
  • “The New Frontiers of Painting”, Stelline Foundation, Milan, Italy
  • “Luther and the Avant—garde”, Wittenberg Old Prison, Wittenberg, Germany
  • “Chinese Summer”, Astrup Fearnley Museet, Oslo, Norway
  • “Art and China after 1989: Theater of the World”, Solomon R. Guggenheim Museum, New York, USA
  • “Seeking Spirituality in Contemporary Art”, The Nelson—Atkins Museum of Art, Kansas City, Missouri, USA
  • “Chinese Dreams”, Bakalar & Paine Galleries, Massachusetts College of Art and Design, Boston, USA
  • “La Balade pour la Paix”, an Open—air Museum, Montreal Museum of Fine Arts, Montreal, Canada

2018

  • “Zhang Huan in Florence”, Tethys Gallery, Florence, Italy
  • “Awakening: Art in Society in Asia, 1960s—1990s”, The National Museum of Modern Art, Tokyo, Japan
  • “Shanghai Beat: The Dynamism of Contemporary Art Scene in Shanghai”, Contemporary Art Museum Kumamoto, Kumamoto, Japan
  • “How to See [What Isn't There]”, Langen Foundation, Neuss, Germany
  • “Art and China after 1989: Theater of the World”, San Francisco Museum of Modern Art, San Francisco, California, USA
  • “La No Comunidad” (“The Non—community”), CentroCentro, Madrid, Spain
  • “Art and China after 1989: Theater of the World”, Guggenheim Museum Bilbao, Bilbao, Spain
  • “Land: Zhang Huan and Li Binyuan”, MoMA PS1, New York, USA
  • “Life & Dreams: Photography & Media Art in China since the 1990s”, The Walther Collection Foundation, Neu—Ulm, Germany
  • “Fifty Years of Collecting Photographs”, The National Gallery of Canada, Ottawa, Canada

2019

  • “Conversations: Contemporary Asian Art”, Hermitage Museum & Gardens, Virginia, USA
  • “Face it! In Monologue with the Other”, Kunstmuseum Ravensburg, Ravensburg, Germany
  • “Driving Forces: Contemporary Art from the Collection of Ann and Ron Pizzuti”, Columbus Museum of Art, Columbus, Ohio, USA
  • “The Last Supper”, Faena Art Festival, Miami, Florida, USA
  • “The Allure of Matter: Material Art from China”, Los Angeles County Museum of Art, Los Angeles, California, USA
  • “Bodies of Knowledge”, New Orleans Museum of Art, New Orleans, Louisiana, USA

2020

  • “In the Ashes of History” The State Hermitage Museum, St. Petersburg, Russia
  • “La Rivoluzione siamo Noi — Collezionismo Italiano Contemporaneo” (“We are the Revolution: Italian Contemporary Collections”), Spazio XNL, Piacenza, Italy
  • “22nd Edition of the Pino Pascali Award — Zhang Huan: 55 love”, Pino Pascali Foundation, Polignano a Mare, Italy